AIRadioHost

What a station includes.

One system replaces the separate tools of a radio studio. The presenter, the music, the information and the listeners' messages are planned together for every minute on air.

Request a demo

The demo is a recording of a running station. The songs are shortened so that it takes about two minutes, and the host's lines in this tour are written in advance. The mixing and transitions are the engine's own.

AI-native, because the automation was built around the host.

Most radio automation plays files, and a voice gets added on top. AIRadioHost was built the other way round. Every part of the engine exists to give the host what the job needs.

It knows the songTempo, energy and the real start and end of each song are measured before it plays.
It knows the momentThe engine knows how long the intro runs and when the singer comes in, and places the line so it finishes in time.
It plans around the voiceWhen a line is ready, the transition between the two songs is chosen so that the line can land.
It makes roomThe mixer lowers the music under speech by itself, and brings it back when the host has finished.

Hear the engine work.

Real recordings of transitions the engine planned and played on air, across every format it runs. Choose a technique or a format, or search for a song.

    Conversation is the control.

    Operators tell the station what they need in plain language: a song, a dedication, a change of plan. It happens while the station stays on air, through the same control interface that connected systems use. You can try it in a demonstration.

    Watch a real session with the console

    The panel shows what must be seen.

    • What is on air and what comes next
    • Tempo, intro and exit point of the current song
    • Why the last transition was chosen
    • The level of every channel
    • Lines to be spoken, shown for approval first
    • One button to stop everything

    How the parts work together.

    Every change of song is programmed, analysed and mixed the same way, without a person at the desk. A presenter line is added every few songs, as the format sets.

    1. 01ProgrammeThe next item is chosen from the station's format and rotation rules.
    2. 02AnalysisTempo, energy, intro and outro are measured, and the transition is planned.
    3. 03ScriptThe presenter's words draw on the songs, news, weather and listener messages.
    4. 04Voice and mixThe voice is timed to the song, and the music lowers automatically beneath it.
    5. 05BroadcastThe processed programme reaches the streams, website and apps.
    01

    Programming

    • The format combines music, jingles, sweepers, voice-overs, announcements, commercials, promos and live shows.
    • Morning, night and weekend programming can each follow their own pattern.
    • Rotation rules control artist, title and album separation, rest periods and heavy rotation.
    • Energy balancing keeps consecutive songs from sounding alike.
    02

    Mixing and sound

    • Each song is analysed for tempo, energy and its natural start and end points.
    • Transitions are planned for each pair of songs, with beat-aligned crossfades.
    • A four-channel mixer lowers the music automatically for jingles and voice.
    • Loudness normalisation and broadcast processing are applied to the whole programme.
    03

    AI presenters and voices

    • Each presenter has a name, personality, language and voice set by the station.
    • Presenters speak about what has played and what comes next, timed over song intros.
    • Separate hosts can be scheduled for particular days and hours.
    • Voice processing places the presenter at the same level and character as the broadcast.
    04

    News and information

    • Presenters use the news sources and weather data selected for the station.
    • Time announcements and local references are part of the presenter's script.
    • A breaking-news item can be placed on air when required.
    05

    Listener participation

    • Listeners can send dedications and song requests through a WhatsApp line.
    • Every message is checked automatically, and doubtful cases are seen by a person before broadcast.
    • The presenter can read approved messages and invite listeners to vote.
    06

    Commercial operations

    • Commercials and promos have their own channel and scheduled place in the format.
    • Music stops completely during commercial items and returns cleanly afterwards.
    07

    Distribution

    • MP3, AAC and high-quality streams run at the same time from a single programme.
    • The current song and station details are published to the website and players.
    • Stations can add their own website and iPhone and Android apps.
    08

    Operations

    • The station runs unattended around the clock on a standard cloud server.
    • Recorded airchecks of on-air moments and a full play history support quality review.
    • Audience statistics report listeners and hours listened.
    09

    Integrated control

    • A built-in control interface and API manage the station while it is on air.
    • Operators can place a song next, add a request or set the presenter's next link.
    • A recorded voice overlay, or a live microphone where the station has an audio input, can go on air over the running programme.
    • Music, voice, jingle and commercial levels are controlled separately.
    • Shows, events and commercial breaks can be scheduled from connected systems.

    Setting up a station.

    Included in the system

    • Programming and rotation engine
    • Broadcast mixing and audio processing
    • AI presenter and voice production
    • Simultaneous streaming formats
    • Remote control and aircheck tools

    Set for each station

    • Format, music library and sound identity
    • Presenter names, voices and language
    • News sources and weather location
    • WhatsApp line, website and apps

    Broadcast and music licences are held by the station operator.

    See it working on your station.

    Request a demo